Director-choreographer Attila Egerházi created genre pictures for Boban Markovic's unique and extremely dynamic, lively, and dramatic musical world, which create a string of sarcastic and humorous scenes that present a world and express a feeling of life.
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Last event date: Tuesday, June 11 2024 8:00PM
BOBAN MARKOVIĆ ORKESTAR Parade & concert
Ballet and Balkan folk music
(Rainday: 12th June)
Part I.
Parade
A cooproduction of the Boban Markovic Orkestar and the Székesfehérvár Ballet Theatre.
Part II.
Boban Markovic Orkestar concert
In the first part of the performance, we present the ballet “Parade”: the cooproduction of the Boban Markovic Orkestar and the Székesfehérvár Ballet Theatre, directed by the choreographer Attila Egerházi. The production is a contemporary dance theater work, the purpose of which is to dramatize music with a special tone and stylistic features, nourished by deep roots, and visually present it with dance theater tools. The Parade articulates a feeling of life in the language of dance theater. The show is based on the music album Mrak and presents different moods and situations.
Director-choreographer Attila Egerházi created genre pictures for Boban Markovic's unique and extremely dynamic, lively, and dramatic musical world, which create a string of sarcastic and humorous scenes that present a world and express a feeling of life.
The second part of the evening is the frenetic concert of the Boban Markovic Orkestar creating a real Balkan atmosphere on the stage of the Margaret Island Theater.
In November, the concert hall of Müpa Budapest will be filled with spring birdsong.
Songs from the World (traditional songs and song arrangements by Zoltán Kodály Max Knigge, Naomi Shemer, Françoise Leleu, Michael Neaum and Arvo Pärt) Gustav Mahler: Symphony No. 1 in D major “Titan”
Richard Strauss: Don Juan, Op. 20 Samuel Barber: Violin Concerto, Op. 14 Dmitri Shostakovich: Symphony No. 5 in D minor, Op. 47
Jean Sibelius: Six Songs – Sydämeni laulu (Song of My Heart), Op. 18, No. 6 Joseph Haydn: Symphony No. 103…
In the BFO’s early music concert, ethereal dance movements alternate with arias about burning passion.
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