
Back to Nature – Chamber Music on Period Instruments
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Last event date: Sunday, December 05 2021 5:00PM
Back to Nature – Chamber Music on Period Instruments
Program:
Henry Purcell: Overture in G minor, Z. 772
Pavan in G minor, Z. 752
Chacony in G minor, Z. 730
Arcangelo Corelli: Trio Sonata in B minor, Op. 1, No. 6
Johann Joachim Quantz: Trio Sonata in C major, QV 2: Anh. 3
Giovanni Girolamo Kapsberger: „Felici gl’animi”
Claudio Monteverdi: Confitebor tibi Domine, SV 265
Marin Marais: The Bells of St. Genevieve
Marc-Antoine Charpentier: Concerto for 4 Violas da gamba, H. 545
Henry Purcell: Fantasia upon One Note, Z. 745
Antonio Vivaldi: „Sovente il sole” – aria from Andromeda liberata, RV Anh. 117
Johann Sebastian Bach: Concerto in G minor for Recorder and Viola da gamba, BWV 1029r (reconstructed by Soma Dinyés)
Bartók Béla: A csodálatos mandarin, Sz. 73, BB 82 – színpadi előadás a Duda Éva Társulat közreműködésével; A kékszakállú herceg vára, Sz. 48, BB 62
“One is only an instrument played by the universe. A symphony must be like the world. It must embrace everything”, said Mahler, and this closeness to nature seems most manifest in his Symphony No. 3. The last time that the longest symphony in the history of music was performed by Mahler specialist Iván Fischer and the Budapest Festival Orchestra was ten years ago.
Elective Affinities Béla Bartók: The Miraculous Mandarin Sz. 73 BB 82 – stage performance with the Éva Duda Company; Bluebeard’s Castle, Sz. 48, BB 62
Program: Robert Schumann: Symphony No. 3 in E-flat major, Op. 97 (“Rhenish”) Richard Wagner: Die Walküre – Wotan's Farewell and…
Camille Saint-Saëns Violin Concerto No. 3 in B minor, Op. 61 Pyotr Tchaikovsky: Manfred Symphony, Op. 58
The next instalment in Gábor Takács-Nagy’s Haydn–Mozart series is here! Fortunately for us, the symphonic oeuvre of the two great…
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