In classical music, there are interrelated concepts that seem to be inseparable: dissonance and resolution, form and content, prelude and fugue. Whether dissonance is indeed inseparable from resolution, and form from content, is not the subject of this concert, but the historical fact that preludes and fugues once existed independently of each other definitely is. more
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Last event date: Sunday, October 29 2023 6:00PM
Johann Sebastian Bach was the first to clearly separate and then marry these two genres (as God did darkness and light during creation). Gábor Csalog's concert freely selects fugues and preludes by Johann Sebastian Bach and post-Bach generations, highlighting stylistic similarities and curious contrasts. In the now familiar discussion in the first part of the concert, music historian Gergely Fazekas and the pianist will certainly discuss how strictly structured fugues can acquire poetic content and how seemingly free-form preludes sometimes follow strict structures.
Featuring:
Gábor Csalog – piano
Gergely Fazekas, musicologist
Erwin Schulhoff: Five Pieces for String Quartet, WV 68 – arranged for string orchestra Johann Georg Albrechtsberger: Trombone Concerto Georg Friedrich Handel: Concerto Grosso in B-flat major, Op. 6, No. 7, HWV 325 Pyotr Tchaikovsky: Serenade for Strings in E minor, Op. 48
In November, the concert hall of Müpa Budapest will be filled with spring birdsong.
Wolfgang Amadeus Mozart: Die Zauberflöte (The Magic Flute), K. 620
Ludwig van Beethoven: Symphony No. 9 in D minor, Op. 125
Iván Fischer was requested by the Berlin Konzerthaus to compose an opera for children based on Julia Donaldson and Axel…
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