“Like the novel, the performance plunges us into everyday life in 1930s Moscow, but magic soon emerges, we find ourselves in an asylum, and ’reality’ mingles with the story of Jesus Christ and Pontius Pilate. What matters about the world of Moscow/Bulgakov is presenting the oppressive nature of the regime. We have stripped the performance of its ’communist’ line."
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Friday, January 24 2025 3:00PM
"Today, we live in a liberal capitalist world full of fear and frustration. Spectators will recognise the system and themselves in it. Our protagonist is mostly Woland, this utterly dark character. True, he practises black magic and does a series of horrible things in Moscow, but what matters to him in Bulgakov’s story is to make sure the Master finally finishes his novel and he and Margarita are reunited. The devil, of course, tangles the threads again...” (Aleksandar Popovski)
Jean Sibelius: Six Songs – Sydämeni laulu (Song of My Heart), Op. 18, No. 6 Joseph Haydn: Symphony No. 103 in E-flat major (“Drumroll”) Hob. I:103 Jean Sibelius: Symphony No. 2 in D major, Op. 43
In the BFO’s early music concert, ethereal dance movements alternate with arias about burning passion.
Songs from the World (traditional songs and song arrangements by Zoltán Kodály Max Knigge, Naomi Shemer, Françoise Leleu, Michael Neaum…
Iván Fischer was requested by the Berlin Konzerthaus to compose an opera for children based on Julia Donaldson and Axel…
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