This six-concert series for solo cello is based around Johann Sebastian Bach's suites. Alongside the well-known cello suites, Tamás Zétényi will also perform the French suites, originally for keyboard, which he and composer Marcell Dargay arranged for cello together.
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Last event date: Monday, December 15 2025 7:00PM
Program:
Domenico Gabrielli: Ricercare No. 5 in C major
Johann Sebastian Bach: Cello Suite in C major, BWV 1009
Sainte-Colombe le Fils: Fantaisie en mi mineur
Johann Sebastian Bach: French Suite No. 3 in E minor, BVW 814 – arranged by Marcell Dargay and Tamás Zétényi
Evaristo Felice Dall'Abaco: Caprice No. 6 in E minor and No. 9 in C major
Featuring:
Tamás Zétényi – cello
In addition to exploring the multifaceted suites, the cellist also aims to place the inexhaustible richness of Bach’s style in a wider context. The performance of the cello suites will be preceded by one piece from Domenico Gabrielli's Ricercar series, which, dating from 1689, are among the earliest examples of solo cello works and offer a glimpse into the virtuoso Italian music of the generation before Bach. Before the French suites, we hear a composition by the great masters of the French Baroque: Sainte-Colombe the Elder and Sainte-Colombe the Younger, François Couperin or Marin Marais (originally written for viola da gamba and continuo or harpsichord). The one-hour programme is rounded off by the Caprices of Joseph Marie Clément Dall'Abaco, working one generation after Bach. The style of the Caprices, written around 1770, represents a transition between Baroque and Classical, approaching the world of Empfindsamkeit, hallmarked by the name of Bach’s most successful son, Carl Philipp Emanuel. Yet their emotional, melancholic and sensitive tone can be seen as a direct successor to Bach's suites.
For almost a quarter of a century, the Festival Orchestra’s program series for children has brought a high-quality classical musical experience to the youngest. The orchestra’s rehearsal room not only serves experimenting with the tiniest details of the symphonic pieces to be performed or playing chamber music, but also as the venue for educating the next generation of classical music lovers.
In November, the concert hall of Müpa Budapest will be filled with spring birdsong.
Iván Fischer was requested by the Berlin Konzerthaus to compose an opera for children based on Julia Donaldson and Axel Scheffler’s world-famous picture book, The Gruffalo. The humorous opera now premieres in Hungary in translation by Ádám Nádasdy. The production is recommended for children between the ages of 3 and 10.
Jean Sibelius: Six Songs – Sydämeni laulu (Song of My Heart), Op. 18, No. 6 Joseph Haydn: Symphony No. 103…
Franz Schubert: The Magic Harp – Overture, D. 644 Max Bruch: Violin Concerto No. 1 in G minor, Op. 26…
In the BFO’s early music concert, ethereal dance movements alternate with arias about burning passion.
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