George Orwell wrote his dystopia in 1948, which is set in the future 36 years later. At the time of the 2020 premier of the play, we were exactly 36 years after the fictive time of the novel. Times have changed greatly since ’48 and since ’84 too. From the perspective of the present, we approach this work that is still relevant to this day.
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Last event date: Sunday, April 30 2023 7:30PM
’In the face of pain there are no heroes.’ (quote from the novel)
Will we ever find a way out of the filter bubble that surrounds us? Or are we just imagining things about the outside world, hence we find it horrific? And while we fight this horrific world, are we turning horrific ourselves? From the perspective of Winston Smith we see Big Brother possessing absolute power, the Inner Party keeping an all-encompassing surveillance, and the Two Minutes Hate turning aggression into mass worship. Is the world really like this, or is it just how a lonely, middle-aged man, Winston Smith is observing it? To what extent is it changed by the forbidden love affair with a young lady, Julia, and the developing mental connection with the mysterious O’Brien?Written by Csaba Mikó based on the novel 1984 by GEORGE ORWELL
Approved by Bill Hamilton, the caretaker of the literary legacy of the late Sanua Brownell Orwell, based on the novel George Orwell „NINETEEN EIGHTY-FOUR” (Copyright, 1949). The play in Hungary is being shown via the THEATRUM MUNDI Theatre and Literature Agency. www.theatrum-mundi.hu
Erwin Schulhoff: Five Pieces for String Quartet, WV 68 – arranged for string orchestra Johann Georg Albrechtsberger: Trombone Concerto Georg Friedrich Handel: Concerto Grosso in B-flat major, Op. 6, No. 7, HWV 325 Pyotr Tchaikovsky: Serenade for Strings in E minor, Op. 48
Songs from the World (traditional songs and song arrangements by Zoltán Kodály Max Knigge, Naomi Shemer, Françoise Leleu, Michael Neaum and Arvo Pärt) Gustav Mahler: Symphony No. 1 in D major “Titan”
Will you come at midnight and listen to some classical music while lounging on a beanbag, just an arm’s length from the musicians?
Franz Schubert: The Magic Harp – Overture, D. 644 Max Bruch: Violin Concerto No. 1 in G minor, Op. 26…
Jean Sibelius: Six Songs – Sydämeni laulu (Song of My Heart), Op. 18, No. 6 Joseph Haydn: Symphony No. 103…
In the BFO’s early music concert, ethereal dance movements alternate with arias about burning passion.
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